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AllTopicsToday > Blog > Entertainment > ‘The Heart Is a Muscle’ Director on Moving From ‘Trauma’ to ‘Healing’
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Entertainment

‘The Heart Is a Muscle’ Director on Moving From ‘Trauma’ to ‘Healing’

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Last updated: March 6, 2026 9:31 am
AllTopicsToday
Published: March 6, 2026
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The Coronary heart Is a Muscle, which opened in Berlin final yr and was chosen as South Africa’s official entry into the worldwide characteristic Oscar race, returns to South Africa this week to display screen out of competitors on the Joburg Movie Competition earlier than hitting theaters nationally on March 6.

The movie was written and directed by debut director Imran Hamdoulieh and produced by Hamdouliai, Bret Michael Innes, Kosi Dali, Lesley-Ann Brandt, and Adam Tarr. Starring Keiynan Allison and Melissa de Vries, and co-starring Lauren Lobser, Dean Marais, Ryder Adams, Danny Ross, Troy Pauls and Lincoln Van Wyk, the movie is being proven worldwide by MMM Movie Gross sales.

The story begins with a scene that hits each father or mother’s greatest concern: a five-year-old little one working away from a household celebration. A frantic seek for the boy ensues, and when he emerges unhurt a number of hours later, he playfully assumes it was all a hide-and-seek sport and is angrily criticized by his father Ryan, performed by Alison. His violent response shocks each Ryan and the opposite partygoers, setting off a series of occasions that forces Ryan to replicate on his previous and make peace together with his personal buried trauma.

Impressed by comparable occasions in Hamdouley’s personal life, “The Coronary heart Is a Muscle” is a transferring exploration of fatherhood, intergenerational trauma, and therapeutic. The director has stated that the movie was impressed by his personal journey into maturity.

Hamdoulieh, the son of a outstanding anti-apartheid activist who’s now contemplating beginning his family, stated the movie took form as he thought increasingly more about “the issues my father handed on to me and the way I stay with them and overcome them as a father.”

“Once I thought concerning the generational hole, I saved coming again to the phrase trauma. It is one thing that did not sit with me in a constructive means. It at all times felt like a burden,” Hamdoulieh instructed Selection.

“I actually really feel that what I additionally acquired from his legacy and the recollections he handed on was a number of therapeutic and a number of energy. I wished to talk to myself in a means that was intergenerational and therapeutic. What does that imply?”

“The Coronary heart Is a Muscle” is about within the Cape Flats, a suburb of Cape City. The realm is primarily made up of black and coloured communities resettled throughout the apartheid period. Racism and the pressured violence of pressured migration left a painful legacy of poverty, crime and gang violence, however Hamdoulieh stated he was eager to rewrite that narrative, particularly with the current proliferation of gang-related crime dramas primarily based on the Cape Flats.

“I am from this space. These are the folks I do know. That is the neighborhood I do know,” he stated. “And there has at all times been a deep frustration with the dearth of nuance and complexity afforded not simply to area, however to historical past, heritage, coloration, texture, and extra importantly folks.”

Since its debut within the Panorama class ultimately yr’s Berlinale, the place it gained the Ecumenical Jury Prize, The Coronary heart Is a Muscle has loved a wholesome run at festivals, most not too long ago taking part in in Santa Barbara, however Hamdouley insists that “indubitably, essentially the most rewarding and transferring expertise for me has been exhibiting it in the neighborhood the place it was made.”

“I used to be watching a neighborhood on display screen with the complexities of themselves and the folks round them,” he stated. “It was actually rewarding in a really lovely means.”

The director’s subsequent movie, scheduled to start manufacturing later this yr, might be an journey story centered round 4 kids who “run across the neighborhood inflicting mischief,” he stated, with a Cape Flats spin on movies akin to “The Goonies” and “The place the Wild Issues Are.”

“I would like younger youngsters to see the film, to allow them to see themselves on the display screen and say, ‘Oh, actually? I wish to make a film sometime,'” he stated. “There’s energy in seeing your self on display screen.”

The Joburg Movie Competition runs from third to eighth March.

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