HBO’s next Game of Thrones spinoff just got the best possible writer

Sport of Thrones has formally leveled up from a success sequence to a franchise. Whereas Home of the Dragon confirmed that there’s extra life in writer George R.R. Martin’s fantasy world after Sport of Thrones’ disastrous sequence finale, Knight of the Seven Kingdoms confirmed that the universe is massive sufficient to accommodate tales each huge and small. So what’s subsequent for the franchise? It seems like a film could also be within the works, and the newest information is that it’ll most likely have the most effective screenwriter for the job.

Based on Web page Six, Beau Willimon (Home of Playing cards, Andor) not too long ago submitted a script for a Sport of Thrones prequel movie to Warner Bros. Selection notes that particulars of Willimon’s script are unknown, however it’s anticipated to be about Aegon Targaryen’s conquest of Westeros, which takes place roughly 100 years earlier than the occasions of Home of the Dragon (and 300 years earlier than Sport of Thrones). This follows a report by The Hollywood Reporter that exposed the studio is growing an adaptation of Aegon’s story as both an HBO sequence or a “large Dune-sized function movie.”

However what’s notable right here is the inclusion of Willimon, who beforehand helped write among the finest episodes of the critically acclaimed Star Wars sequence, Andor. Particularly, he wrote the Narkina V arc (three episodes set on a dystopian jail planet) in Season 1, after which returned for the Gorman Bloodbath arc in Season 2 (three extra episodes depicting how the Empire launches a false flag assault to quell a rising rebel on a resource-rich planet). In each circumstances, he delivered maybe every season’s most memorable and interesting sequence of episodes whereas offering an on-the-ground perspective on how fascist governments oppress people and the way these people can struggle again.

Bringing that sensibility to Aegon’s Conquest shall be an fascinating problem. The story may simply be instructed from the Targaryen perspective as an excellent marketing campaign of domination wherein dragons fly throughout Westeros and the Seven Kingdoms undergo Aegon’s will (suppose Home of the Dragon, but it surely’s a lot larger). Willimon’s involvement suggests one thing completely different: a narrative of imperial conquest instructed from the attitude of a small folks.

As we have seen with Knight of the Seven Kingdoms, the sequence is at its finest when it tells its story from above floor, fairly than from the towers of King’s Touchdown. If Willimon can mix that sensibility with the epic scale of the Sport of Thrones-esque dragon set items, followers may be in for one thing really particular.